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stories to tell to children-第10章

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without effort。  So it is; probably; with the

〃middle…sized〃 articles of the bears' house and

the 〃and I sha'n't get home to…night〃 of the

old woman。  Each recurrence deepens the note

of familiarity; tickles the primitive sense of

humour; and eases the strain of attention。



When the repetition is cumulative; like the

extreme instance of The House that Jack

Built; I have a notion that the joy of the

child is the pleasure of intellectual gymnastics;

not too hard for fun; but not too easy for

excitement。  There is a deal of fun to be got

out of purely intellectual processes; and child…

hood is not too soon for the rudiments of such

fun to show。  The delight the healthy adult

mind takes in working out a neat problem in

geometry; the pleasure a musician finds in

following the involutions of a fugue; are of

the same type of satisfaction as the liking of

children for cumulative stories。  Complexity

and mass; arrived at by stages perfectly

intelligible in themselves; mounting steadily from

a starting…point of simplicity; then the same

complexity and mass resolving itself as it were

miraculously back into simplicity; this is an

intellectual joy。  It does not differ materially;

whether found in the study of counterpoint;

at thirty; or in the story of the old woman and

her pig; at five。  It is perfectly natural and

wholesome; and it may perhaps be a more

powerful developing force for the budding

intellect than we are aware。



For these reasons let me urge you; when you

are looking for stories to tell little children; to

apply this threefold test as a kind of touchstone

to their quality of fitness:  Are they full of

action; in close natural sequence?  Are their

images simple without being humdrum?  Are

they repetitive?  The last quality is not an

absolute requisite; but it is at least very often

an attribute of a good child…story。



Having this touchstone in mind for general

selection; we can now pass to the matter of

specific choices for different ages of children。

No one can speak with absolute conviction in

this matter; so greatly do the taste and capacity

of children of the same age vary。  Any approach

to an exact classification of juvenile books

according to their suitability for different ages

will be found impossible。  The same book in

the hands of a skilful narrator may be made

to afford delight to children both of five and

ten。  The following are merely the inferences

drawn from my own experience。  They must

be modified by each teacher according to the

conditions of her small audience。  In general;

I believe it to be wise to plan the choice of

stories much as indicated in the table。



At a later stage; varying with the standard

of capacity of different classes; we find the

temper of mind which asks continually; 〃Is

that true?〃  To meet this demand; one draws

on historical and scientific anecdote; and on

reminiscence。  But the demand is never so

exclusive that fictitious narrative need be cast

aside。  All that is necessary is to state frankly

that the story you are telling is 〃just a story;〃

orif it be the casethat it is 〃part true and

part story。〃



At all stages I would urge the telling of

Bible stories; as far as is allowed by the special

circumstances of the school。  These are stories

from a source unsurpassed in our literature for

purity of style and loftiness of subject。  More

especially I urge the telling of the Christ…story;

in such parts as seem likely to be within the

grasp of the several classes。  In all Bible

stories it is well to keep as near as possible

to the original unimprovable text。'1'  Some

amplification can be made; but no excessive

modernising or simplifying is excusable in face

of the austere grace and majestic simplicity of

the original。  Such adaptation as helps to cut

the long narrative into separate units; making

each an intelligible story; I have ventured to

illustrate according to my own personal taste;

in two stories given in Chapter VI。  The object

of the usual modernising or enlarging of the

text may be far better attained for the child

listener by infusing into the text as it stands

a strong realising sense of its meaning and

vitality; letting it give its own message through

a fit medium of expression。



'1' Stories from the Old Testament; by S。 Platt; retells the Old

Testament story as nearly as possible in the actual words of

the Authorised Version。





The stories given are grouped as illustrations of 

the types suitable for different stages。  They are; 

however; very often interchangeable; and many stories 

can be told successfully to all classes。  A vitally

good story is little limited in its appeal。  It is;

nevertheless; a help to have certain plain results

of experience as a basis for choice; that which

is given is intended only for such a basis; not

in the least as a final list。





CERTAIN TYPES OF STORY CLASSIFIED



FOR KINDERGARTEN AND CLASS I。:



 Little Rhymed Stories

      (including the best of the nursery rhymes and the

      more poetic fragments of Mother Goose)

 Stories with Rhyme in Parts

 Nature Stories

      (in which the element of personification is strong)

 Nonsense Tales

 Wonder Tales



FOR CLASSES II。 AND III。:



 Nonsense Tales

 Wonder Tales

 Fairy and Folk Tales

 Fables

 Legends

 Nature Stories

      (especially stories of animals)



FOR CLASSES IV。 AND V。:



 Folk Tales

 Fables

 Myths and Allegories

 Developed Animal Stories

 Legends:  Historic and Heroic

 Historical Stories

  Humorous Adventure Stories

 〃True Stories 〃

 



The wonder tales most familiar and accessible to the

teacher are probably those included in the collections of

Andersen and the Brothers Grimm。  So constant is the

demand for these that the following list may be found

useful; as indicating which of the stories are more easily and

effectively adapted for telling; and commonly most successful。



It must be remembered that many of these standard tales

need such adapting as has been suggested; catting them

down; and ridding them of vulgar or sophisticated detail。



From the Brothers Grimm:



 The Star Dollars

 The Cat and the Mouse

 The Nail

 The Hare and the Hedgehog

 Snow…White and Rose…Red

 Mother Holle

 Thumbling

 Three Brothers

 The Little Porridge Pot

 Little Snow…White

 The Wolf and the Seven Little Kids

 The Sea Mouse



From Andersen:



 Little Tiny

 The Lark and the Daisy

 The Ugly Duckling

 The Seven Stories of the Snow Queen

 The Flax

 The Little Match Girl

 The Fir…Tree

 The Red Shoes

 Ole Lukoie

      Monday

      Saturday

      Sunday

 The Elf of the Rose

 Five Peas in a Pod

 The Portuguese Duck

 The Little Mermaid (much shortened)

 The Nightingale (shortened)

 The Girl who trod on a Loaf

 The Emperor's New Clothes



 Another familiar and easily attainable type of story is the

classic myth; as retold in Kupfer's Legends of Greece and

Rome。'1'

Of these; again; certain tales are more successfully adapted to

children than others。  Among the best for telling are:



 Arachne

 Pandora

 Midas

 Apollo and Daphne

 Apollo and Hyacinthus

 Narcissus

 Latona and the Rustics

 Proserpine



'1' A well…nigh indispensable book for teachers is Guerber's

Myths of Greece and Rome; which contains in brief form a

complete collection of the classic myths。







CHAPTER III



ADAPTATION OF STORIES FOR TELLING



It soon becomes easy to pick out from a

collection such stories as can be well told; but

at no time is it easy to find a sufficient number

of such stories。  Stories simple; direct; and

sufficiently full of incident for telling; yet having

the beautiful or valuable motive we desire for

children; do not lie hidden in every book。  And

even many of the stories which ar
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