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egypt-第5章

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birds; who live and sing therein in complete security; even during the

services; attracted by the little troughs which the imams fill for

their benefit each morning with water from the Nile。



As for the mosque itself it is rarely closed on all sides as are those

in the countries of the more sombre Islam of the north。 Here in Egypt

since there is no real winter and scarcely ever any rainone of the

sides of the mosque is left completely open to the garden; and the

sanctuary is separated from the verdure and the roses only by a simple

colonnade。 Thus the faithful grouped beneath the palm…trees can pray

there equally as well as in the interior of the mosque; since they can

see; between the arches; the holy Mihrab。'*'



'*' The Mihrab is a kind of portico indicating the direction of Mecca。

    It is placed at the end of each mosque; as the altar is in our

    churches; and the faithful are supposed to face it when they pray。



Oh! this sanctuary seen from the silent garden; this sanctuary in

which the pale gold gleams on the old ceiling of cedarwood; and

mosaics of mother…of…pearl shine on the walls as if they were

embroideries of silver that had been hung there。



There is no faience as in the mosques of Turkey or of Iran。 Here it is

the triumph of patient mosaic。 Mother…of…pearl of all colours; all

kinds of marble and of porphyry; cut into myriads of little pieces;

precise and equal; and put together again to form the Arab designs;

which; never borrowing from the human form; nor indeed from the form

of any animal; recall rather those infinitely varied crystals that may

be seen under the microscope in a flake of snow。 It is always the

Mihrab which is decorated with the most elaborate richness; generally

little columns of lapis lazuli; intensely blue; rise in relief from

it; framing mosaics so delicate that they look like brocades of fine

lace。 In the old ceilings of cedarwood; where the singing birds of the

neighbourhood have their nests; the golds mingle with some most

exquisite colourings; which time has taken care to soften and to blend

together。 And here and there very fine and long consoles of sculptured

wood seem to fall; as it were; from the beams and hang upon the walls

like stalactites; and these consoles; too; in past times; have been

carefully coloured and gilded。 As for the columns; always dissimilar;

some of amaranth…coloured marble; others of dark green; others again

of red porphyry; with capitals of every conceivable style; they are

come from far; from the night of the ages; from the religious

struggles of an earlier time and testify to the prodigious past which

this valley of the Nile; narrow as it is; and encompassed by the

desert; has known。 They were formerly perhaps in the temples of the

pagans; or have known the strange faces of the gods of Egypt and of

ancient Greece and Rome; they have been in the churches of the early

Christians; or have seen the statues of tortured martyrs; and the

images of the transfigured Christ; crowned with the Byzantine aureole。

They have been present at battles; at the downfall of kingdoms; at

hecatombs; at sacrileges; and now brought together promiscuously in

these mosques; they behold on the walls of the sanctuary simply the

thousand little designs; ideally pure; of that Islam which wishes that

men when they pray should conceive Allah as immaterial; a Spirit

without form and without feature。



Each one of these mosques has its sainted dead; whose name it bears;

and who sleeps by its side; in an adjoining mortuary kiosk; some

priest rendered admirable by his virtues; or perhaps a khedive of

earlier times; or a soldier; or a martyr。 And the mausoleum; which

communicates with the sanctuary by means of a long passage; sometimes

open; sometimes covered with gratings; is surmounted always by a

special kind of cupola; a very high and curious cupola; which raises

itself into the sky like some gigantic dervish hat。 Above the Arab

town; and even in the sand of the neighbouring desert; these funeral

domes may be seen on every side adjoining the old mosques to which

they belong。 And in the evening; when the light is failing; they

suggest the odd idea that it is the dead man himself; immensely

magnified; who stands there beneath a hat that is become immense。 One

can pray; if one wishes; in this resting…place of the dead saint as

well as in the mosque。 Here indeed it is always more secluded and more

in shadow。 It is more simple; too; at least up to the height of a man:

on a platform of white marble; more or less worn and yellowed by the

touch of pious hands; nothing more than an austere catafalque of

similar marble; ornamented merely with a Cufic inscription。 But if you

raise your eyes to look at the interior of the domethe inside; as it

were; of the strange dervish hatyou will see shining between the

clusters of painted and gilded stalactites a number of windows of

exquisite colouring; little windows that seem to be constellations of

emeralds and rubies and sapphires。 And the birds; you may be sure;

have their nests also in the house of the holy one。 They are wont

indeed to soil the carpets and the mats on which the worshippers

kneel; and their nests are so many blots up there amid the gildings of

the carved cedarwood; but then their song; the symphony that issues

from that aviary; is so sweet to the living who pray and to the dead

who dream。 。 。 。



*****



But yet; when all is said; these mosques seem somehow to be wanting。

They do not wholly satisfy you。 The access to them perhaps is too

easy; and one feels too near to the modern quarters of the town; where

the hotels are full of visitorsso that at any moment; it seems; the

spell may be broken by the entry of a batch of Cook's tourists; armed

with the inevitable /Baedeker/。 Alas! they are the mosques of Cairo;

of poor Cairo; that is invaded and profaned。 The memory turns to those

of Morocco; so jealously guarded; to those of Persia; even to those of

Old Stamboul; where the shroud of Islam envelops you in silence and

gently bows your shoulders as soon as you cross their thresholds。



And yet what pains are being taken to…day to preserve these mosques;

which in olden times were such delightful retreats。 Neglected for

whole centuries; never repaired; notwithstanding the veneration of

their heedless worshippers; the greater part of them were fallen into

ruin; the fine woodwork of their interiors had become worm…eaten;

their cupolas were cracked and their mosaics covered the floor as with

a hail of mother…of…pearl; of porphyry and marble。 It seemed that to

repair all this was a task incapable of fulfilment; it was sheer

folly; people said; to conceive the idea of it。



Nevertheless; for nearly twenty years now an army of workers has been

at the task; sculptors; marble…cutters; mosaicists。 Already certain of

the sanctuaries; the most venerable of them indeed; have been entirely

renovated。 After having re…echoed for some years to the sounds of

hammers and chisels; during the course of these vast renovations; they

are restored now to peace and to prayer; and the birds have

recommenced to build their nests in them。



It will be the glory of the present reign that it has preserved;

before it was too late; all this magnificent legacy of Moslem art。

When the city of 〃The Arabian Nights;〃 which was formerly there; shall

have entirely disappeared; to give place to a vulgar /entrepot/ of

commerce and of pleasure; to which the plutocracy of the whole world

comes every winter to disport itself; so much at least will remain to

bear testimony to the lofty and magnificent thought that inspired the

earlier Arab life。 These mosques will continue to remain into the

distant future; even when men shall have ceased to pray in them; and

the winged guests shall have departed; for the want of those troughs

of water from the Nile; filled for them by the good imams; whose

hospitality they repay by making h
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