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part05+-第84章

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an arbitration tribunal。 He finds himself; as we all do;



agreeably surprised by the Russian document; which; inadequate as



it is; shows ability in devising a permanent scheme both for



mediation and arbitration。







During the day President Low; who had been asked by our



delegation to bring the various proposals agreed to by us into



definite shape; made his report; it was thoroughly well done;



and; with some slight changes; was adopted as the basis for our



final project of an arbitration scheme。 We are all to meet on



Monday; the 29th; for a study of it。







In the evening to the concert given to the conference by the



burgomaster and city council。 It was very fine; and the audience



was large and brilliant。 There was music by Tschaikovsky; Grieg;



and Wagner; some of which was good; but most of it seemed to me



noisy and tending nowhither; happily; in the midst of it came two



noble pieces; one by Beethoven and the other by Mozart; which



gave a delightful relief。







May 28。







Drove with Dr。 Holls to Delft; five miles; and attended service



at the 〃New Church。〃 The building was noble; but the service



seemed very crude and dismal; nearly the whole of it consisting



of two long sermons separated by hymns; and all unspeakably



dreary。







Afterward we saw the tombs of William of Orange and Grotius; and



they stirred many thoughts。 I visited them first nearly forty



years ago; with three persons very dear to me; all of whom are



now passed away。 More than ever it is clear to me that of all



books ever writtennot claiming divine inspirationthe great



work of Grotius on 〃War and Peace〃 has been of most benefit to



mankind。 Our work here; at the end of the nineteenth century; is



the direct result of his; at the beginning of the seventeenth。







Afterward to the Prinzenhof; visiting the place where William of



Orange was assassinated。 Was glad to see the new statue of



Grotius in front of the church where he lies buried。







May 29。







In the morning President Low and myself walked; and talked over



various proposals for arbitration; especially our own。 It looks



much as if we can amalgamate the Russian; British; and original



American plans into a good arrangement for a tribunal。 We also



discussed a scheme for the selection; by disagreeing nations; of



〃seconding powers;〃 who; before the beginning of hostilities; or



even after; shall attempt to settle difficulties between powers;



or; if unsuccessful; to stop them as soon after war begins as the



honor of the nations concerned may allow。 The Germans greatly



favor this plan; since it resembles their tribunal of honor



(Ehrengericht); it was originally suggested to us by our



secretary; Dr。 Holls。







In the evening; at six; the American delegation met。 We had



before us type…written copies of our whole arbitration project as



elaborated in our previous sessions; and sundry changes having



been made; most of them verbal; the whole; after considerable



discussion; was adopted。







At ten I left; via Hook of Holland and Harwich; for London;



arriving about ten the next morning; and attending to various



matters of business。 It was fortunate for me that I could have



for this purpose an almost complete lull in our proceedings; the



first and second committees of the conference being at work on



technical matters; and the third not meeting until next Monday。







In the evening I went to the Lyceum Theatre; saw Henry Irving and



Ellen Terry in Sardou's 〃Robespierre;〃 and for the first time in





my life was woefully disappointed in them。 The play is wretchedly



conceived; and it amazes me that Sardou; who wrote 〃Thermidor;〃



which is as admirable as 〃Robespierre〃 is miserable could ever



have attached his name to such a piece。







For the wretchedness of its form there is; no doubt; some excuse



in the fact that it has been done into English; and doubtless



cut; pieced; and altered to suit the Lyceum audiences; but when



one compares the conspiracy part of it with a properly conceived



drama in which a conspiracy is developed; like Schiller's



〃Fiesco;〃 the difference is enormously in favor of the latter。 As



literature the play in its English dress is below contempt。







As to its historical contents; Sardou resorts to an expedient



which; although quite French in its character; brings the whole



thing down to a lower level than anything in which I had ever



seen Irving before。 The center of interest is a young royalist



who; having been present with his mother and sister at the



roll…call of the condemned and the harrowing scenes resulting



therefrom; rushes forth; determined to assassinate Robespierre;



but is discovered by the latter to be his long…lost illegitimate



son; and then occur a series of mystifications suited only to the



lowest boulevard melodrama。







As to the action of the piece; the only thing that showed



Irving's great ability was the scene in the forest of



Montmorency; where; as Robespierre; he reveals at one moment; in



his talk with the English envoy; his ambition; his overestimate



of himself; his suspicion of everybody and everything; his



willingness to be cruel to any extent in order to baffle possible



enemies; and then; next moment; on the arrival of his young



friends; boys and girls; the sentimental; Rousseau side of his



character。 This transition was very striking。 The changes in the



expression of Irving's face were marvelousas wonderful as those



in his Louis XI; but that was very nearly all。 In everything



else; Coquelin; as I had seen him in Sardou's 〃Thermidor;〃 was



infinitely better。







Besides this; the piece was; in general; grotesquely



unhistorical。 It exhibits Robespierre's colleagues in the



Committee of Public Safety as noisy and dirty street blackguards。



Now; bad as they were; they were not at all of that species; nor



did their deliberations take place in the manner depicted。



Billaud…Varennes is represented as a drunken vagabond sitting on



a table at the committee and declaiming。 He was not this at all;



nor was Tallien; vile as he was; anything like the blackguard



shown in this piece。







The final scene; in which Robespierre is brought under accusation



by the Convention; was vastly inferior to the same thing in



〃Thermidor〃; and; what was worse; instead of paraphrasing or



translating the speeches of Billaud…Varennes; Tallien; and



Robespierre; which he might have found in the 〃Moniteur;〃 Sardou;



or rather Irving; makes the leading characters yell harangues



very much of the sort which would be made in a meeting of drunken



dock laborers to…day。 Irving's part in this was not at all well



done。 The unhistorical details now came thick and fast; among



them his putting his head down on the table of the tribune as a



sign of exhaustion; and then; at the close; shooting himself in



front of the tribunal。 If he did shoot himself; which is



doubtful; it was neither at that time nor in that place。







But; worst of all; the character of Robespierre was made far too



melodramatic; and was utterly unworthy of Irving; whom; in all



his other pieces; I have vastly admired。 He completely



misconceives his hero。 Instead of representing him as; from first



to last; a shallow Rousseau sentimentalist; with the proper



mixture of vanity; suspicion; and cruelty; he puts into him a



great deal too much of the ruffian; which was not at all in



Robespierre's character。







The most striking scene in the whole was the r
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