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stories to tell to children-第6章

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element in nature study must at least limit herself

to a small amount of absolutely unquestioned

material; or else subject every new story to the

judgment of an authority in the line dealt with。

This is not easy for the teacher at a distance

from the great libraries; and for those who have

access to well…equipped libraries it is a matter

of time and thought。



It does not so greatly trouble the teacher who

uses the nature story as a story; rather than as

a test…book; for she will not be so keenly attracted

toward the books prepared with a didactic purpose。

She will find a good gift for the child in

nature stories which ARE stories; over and above

any stimulus to his curiosity about fact。  That

good gift is a certain possession of all good fiction。



One of the best things good fiction does for

any of us is to broaden our comprehension of

other lots than our own。  The average man or

woman has little opportunity actually to live

more than one kind of life。  The chances of

birth; occupation; family ties; determine for

most of us a line of experience not very

inclusive and but little varied; and this is a natural

barrier to our complete understanding of others;

whose life…line is set at a different angle。  It is

not possible wholly to sympathise with emotions

engendered by experience which one has never

had。  Yet we all long to be broad in sympathy

and inclusive in appreciation; we long; greatly;

to know the experience of others。  This yearning

is probably one of the good but misconceived

appetites so injudiciously fed by the gossip of

the daily press。  There is a hope; in the reader;

of getting for the moment into the lives of people

who move in wholly different sets of circumstances。

But the relation of dry facts in newspapers;

however tinged with journalistic colour;

helps very little to enter such other life。  The

entrance has to be by the door of the imagination;

and the journalist is rarely able to open it

for us。  But there is a genius who can open it。

The author who can write fiction of the right

sort can do it; his is the gift of seeing inner

realities; and of showing them to those who

cannot see them for themselves。  Sharing the

imaginative vision of the story…writer; we can

truly follow out many other roads of life than

our own。  The girl on a lone country farm is

made to understand how a girl in a city sweating…

den feels and lives; the London exquisite realises

the life of a Californian ranchman; royalty and

tenement dwellers become acquainted; through

the power of the imagination working on

experience shown in the light of a human basis

common to both。  Fiction supplies an element

of culture;that of the sympathies; which is

invaluable。  And the beginnings of this culture;

this widening and clearing of the avenues of

human sympathy; are especially easily made

with children in the nature story。



When you begin; 〃There was once a little

furry rabbit;〃'1' the child's curiosity is awakened

by the very fact that the rabbit is not a child;

but something of a different species altogether。

〃Now for something new and adventuresome;〃

says his expectation; 〃we are starting off into a

foreign world。〃  He listens wide…eyed; while

you say; 〃and he lived in a warm; cosy nest;

down under the long grass with his mother〃

how delightful; to live in a place like that; so

different from little boys' homes!〃his name

was Raggylug; and his mother's name was Molly

Cottontail。  And every morning; when Molly

Cottontail went out to get their food; she said

to Raggylug; ‘Now; Raggylug; remember you

are only a baby rabbit; and don't move from the

nest。  No matter what you hear; no matter what

you see; don't you move!'〃all this is different

still; yet it is familiar; too; it appears that rabbits

are rather like folks。  So the tale proceeds; and

the little furry rabbit passes through experiences

strange to little boys; yet very like little boys'

adventures in some respects; he is frightened

by a snake; comforted by his mammy; and taken

to a new house; under the long grass a long way

off。  These are all situations to which the child

has a key。  There is just enough of strangeness

to entice; just enough of the familiar to relieve

any strain。  When the child has lived through

the day's happenings with Raggylug; the latter

has begun to seem veritably a little brother of

the grass to him。  And because he has entered

imaginatively into the feelings and fate of a

creature different from himself; he has taken his

first step out into the wide world of the lives of

others。





'1' See Raggylug。





It may be a recognition of this factor and

its value which has led so many writers of

nature stories into the error of over…humanising

their four…footed or feathered heroes and

heroines。  The exaggeration is unnecessary; for

there is enough community of lot suggested in

the sternest scientific record to constitute a

natural basis for sympathy on the part of the

human animal。  Without any falsity of

presentation whatever; the nature story may be

counted on as a help in the beginnings of culture

of the sympathies。  It is not; of course; a help

confined to the powers of the nature story; all

types of story share in some degree the powers

of each。  But each has some especial virtue in

dominant degree; and the nature story is; on this

ground; identified with the thought given。



The nature story shares its influence especially

with



THE HISTORICAL STORY





As the one widens the circle of connection

with other kinds of life; the other deepens the

sense of relation to past lives; it gives the sense

of background; of the close and endless connection

of generation with generation。  A good

historical story vitalises the conception of past

events and brings their characters into relation

with the present。  This is especially true of

stories of things and persons in the history of

our own race。  They foster race…consciousness;

the feeling of kinship and community of blood。

It is this property which makes the historical

story so good an agent for furthering a proper

national pride in children。  Genuine patriotism;

neither arrogant nor melodramatic; is so generally

recognised as having its roots in early

training that I need not dwell on this possibility;

further than to note its connection with the

instinct of hero…worship which is quick in the

healthy child。  Let us feed that hunger for the

heroic which gnaws at the imagination of every

boy and of more girls than is generally admitted。

There have been heroes in plenty in the world's

records;heroes of action; of endurance; of

decision; of faith。  Biographical history is full

of them。  And the deeds of these heroes are

every one a story。  We tell these stories; both

to bring the great past into its due relation with

the living present; and to arouse that generous

admiration and desire for emulation which is

the source of so much inspiration in childhood。

When these stories are tales of the doings and

happenings of our own heroes; the strong men

and women whose lives are a part of our

own country's history; they serve the double

demands of hero…worship and patriotism。

Stories of wise and honest statesmanship; of

struggle with primitive conditions; of generous

love and sacrifice; andin some measureof

physical courage; form a subtle and powerful

influence for pride in one's people; the intimate

sense of kinship with one's own nation; and the

desire to serve it in one's own time。



It is not particularly useful to tell batches of

unrelated anecdote。  It is much more profitable

to take up the story of a period and connect it

with a group of interesting persons whose lives

affected it or were affected by it; telling the

stories of their lives; or of the events in which

they were concerned; as 〃true stories。〃  These

biog
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