THE CRITIC AS ARTIST - WITH SOME REMARKS UPON THE IMPORTANCE OF DOING NOTHINGA DIALOGUE. Part I. Persons: Gilbert and Ernest. Scene: the library of a house in Piccadilly, overlooking the Green Park.GILBERT (at the Piano). My dear Ernest, what are you laughing at?ERNEST (looking up). At a capital story that I have just come across in this volume of Reminiscences that I have found on your table.GILBERT. What is the book? Ah! I see. I have not read it yet. Is it good?ERNEST. Well, while you have been playing, I have been turning over the pages with some amusement, though, as a rule, I dislike modern memoirs. They are generally written by people who have either entirely lost their memories, or have never done anything worth remembering; which, however, is, no doubt, the true explanation of their popularity, as the English public always feels perfectly at its ease when a mediocri
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